It was roundabout the time when the soul boy era was squeezing its last
drops from the bottle. We decided to push further west. A friend had mentioned
that our boy from East Ham was making noises in Soho. When we got to the Wag
Club we saw a hungry crowd pushing their way down the queue. We moved to the
front, blagging our way in. Once in we could see our man on the decks
controlling his flock and pushing out the raw funk sound that the soul scene
had lost. This was the beginning
of the underground funk scene, which would change black music in this country
for a generation. Forget the term ‘Rare Groove’ as this name only came about
later. Barrie’s Friday night at the Wag influenced a host of other nights,
including Shake ‘n’ Finger Pop, Family Function, and Jazzie B’s Soul II Soul,
at the African Centre.
Inner London was now buzzing with the funk,
after this we crossed paths with Barrie on several occasions. Barrie was not an
easily contented man and always pushed things forward at a pace, any boundaries
and obstacles in his path were knocked to one side. His latest venture was to
put a style to this sound. He scooped up a few old buddies mainly a certain
Eddie Prendergast from East Ham, Marco Cairns from Barking, and Cliff Bowen
from Loughton, together they started pumping out the original selvedge denim
stuff on the streets of Camden. The boys at American Classic’s and all the
‘trendy’ London stores would later take up their street style. This Camden
pitch funded the opening of the first Duffer shop in Portobello Road, which
brought a clothing style to match the sound.
The Wag got too big and Barrie needed to move on
and host his own night, hence the start of The Cat in the Hat Club. Now there
was a platform to move things a little bit further. This club still remains one
of my main influences even to today. Soho day-life, especially retail, was
still trying to shake of its seedy 70’s porn look that suppressed it. Barrie
and the boys had moved into one of the side streets dropping one of the
flagging team members from Manor Park on the way. The street was on its knees
looking really tired. Three months later the shop was thriving and the Duffer
label was upon us. Barrie being ever more adventurous saw what was coming and
alongside the Staple Duffer Crisp ‘London-look’ developed a style to enhance
this new breed that was coming through. Up popped the smiley-tee alongside
bringing in labels from America like Schott, New Era, and Red Wing alongside
the Duffer four-stripe tracksuit.
The Black Market record store opened two doors
down a few months later, which became the voice for house music for London.
Seeing this Barrie decided to re-launch The Cat in the Hat right in the heart
of posh Mayfair. This club night had a different flavour from the original
night a few years back, mixing up the new garage and house stuff from NYC
alongside obscure disco. This was House for real people and earmarked the
phrase ‘we don’t trance we dance’. The new club attracted a sharper looking
dude who wanted to get down without dropping an E. Whilst this was happening I
remember getting snippets of what Barrie was doing in the background. At the
same time Jazzie B was developing his sound and was busy in his studio. Jazzie
launches his first vinyl and then on his tail Barrie puts out the ‘Masterplan’.
It had been many years since American club culture stood up and looked in the
direction of London. Soul II Soul and Barrie Sharpe had arrived; mainstream
people now knew who they were. The Duffers uprooted from Soho and moved the
clothing label to the heart of Covent Garden. Never before had three boys with
an East End background put their clothing label amongst the ‘big boys’. People
took note and awards followed.
Down the line I could tell that Barrie was
getting bored with the direction Duffer was going, and once the European
investors were on the horizon he upped and jumped ship. From then on Duffer
slipped into what I called the ‘CBBC presenter look’. Barrie went back to Soho
and launched Sharpeye, his new clothing label.
Hitting his fifties Barrie wasn’t going to lay
down easy, nah this ain’t his style. Instead he’s evolved his sound and has now
launched The Nu Acid Funk, keeping to his pure roots and only released on
vinyl. To compliment this he launches a new club night ‘Big Stuff ‘with long
time buddy Femi Fem (Shake ‘n’ Finger Pop). When people talk about a certain
Norma Jay inventing the so-called ‘Rare Groove scene’ back in the eighties, I’d
say don’t believe the hype; if you were there you knew who the main player was;
Barrie Sharpe.